“I’ve always taken care of my family and friends like a mum, so to me I was stepping into a part of myself that had always been there and really embracing that. “Becoming a mother is definitely an identity thing that was pretty life-changing,” she acknowledges. Bedingfield adds that motherhood - her son turns two during December - made an imprint on the songs as well. With Perry, whom she first worked with some six years ago, Bedingfield says there was “a really good chemistry,” while the producer - who co-wrote all of the songs and released Roll With Me on her We Are Hear imprint - found the set to be “different than anything she’s ever produced, too,” according to the singer. That’s what I wanted this music to have.” Released on Phillips Records, it may be what Natsha Bedingfield is referring to, but Mouth and MacNeal's own song isn't mention and I haven't heard the later recording. Rather than simply promoting the singer’s latest record with singles targeted to various demographics and cultural. T he strategy behind Natasha Bedingfield’s sophomore effort takes the popular trend of marketing albums differently in various geographical regions to obscene new levels. At the best lives shows I’ve been to, the music is an experience. was written in 1972, and recorded by the Ducth duo Mouth (1937-2004) & (Maggie) MacNeal (1950- ). Review: Natasha Bedingfield, Pocketful of Sunshine. What I wanted was for them to have an energy that just comes off the stage and wakes the audience up and makes you feel like you can forget about all the worries at home and let the music take you there. Bedingfield took a performance-oriented approach to the set, with a more upbeat tempo throughout its 14 songs, including singles such as “Roller Skate” and “Kick It.” “I really wanted these songs to be an incredible addition to my live show,” she explains, “so I just thought about what are the songs I was missing in my live show.
0 kommentar(er)
